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María Isabel García, one of the last artisans of the Tuat� pottery technique, a technique inherited from the indigenous people who bore the same name. María Isabel lives in the Tuat� village, which is under the jurisdiction of the municipality of Belen in the department of Boyacá, Colombia. This potter preserves the rudimentary manufacturing and firing techniques inherited from her indigenous ancestors. In Colombia, today, it is very rare to see ceramics being fired directly on the ground, without a kiln, as the inhabitants of America did before the conquest. This type of pottery, trade and craft are on the verge of disappearing due to the lack of transmission of knowledge of the technique and the lack of incentives for its promotion and marketing.
Location: Belen, Boyaca, Colombia
Post Date: Feb 5, 2025 5:49 AM
TAG ID: dbcstock407570 (RM)
Credit: Daniel Romero / VWPics/Newscom
Format: 5400 x 3600 Color JPEG
Photographer: Daniel Romero / VWPics
Release Status: No Model Release, No Property Release
Keywords: Artisan, Tuaté, Pottery technique, Indigenous people, Belen, Boyaca, Colombia, Ceramics, Rudimentary manufacturing, Firing without a kiln, Ancestral heritage, Tradition, Traditional, Latin America, South America, Suramérica, Colombian, Color, colorful, Colour Image, Culture, Heritage, Human Interest, photojournalism, Photography, Rural, Rural Scene, Tourism, Town, Travel, Trip, Cultural tradition, Cultural identity, Tundama, Horizontal, Maria Isabel Garcia, Tuate pottery, traditional artisan, indigenous craftsmanship, pottery making, handmade ceramics, cultural heritage, ancestral techniques, Colombian artisans, indigenous traditions, pottery craftsmanship, ceramic art, handcrafted pottery, endangered craft, artisanal techniques, clay molding, heritage preservation, folk art, unique pottery, handmade art, traditional ceramics, Tuate technique, cultural identity, indigenous knowledge, pottery firing, artistic expression, sustainable crafts, local craftsmanship, rural artisans, hand-molded pottery, decorative ceramics, Colombian heritage, artisanal legacy, traditional craftsmanship, pottery workshop, handmade clay art, artisanal resilience, indigenous creativity, cultural continuity, time-honored skills, craftsmanship revival
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