apaartthree357914

APAARTTHREE357914

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apaartthree357914

La Tour de l'Horloge, Paris (The Clock Tower, Paris). Dated: 1852. Medium: etching on Japanese paper. Museum: National Gallery of Art, Washington DC. Autor: CHARLES MERYON.La Tour de l'Horloge, Paris (The Clock Tower, Paris). Dated: 1852. Medium: etching on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON. ; CHARLES MERYON CHARLES MERYON CHARLES MERYON ; ;

Post Date: Apr 23, 2024 11:55 AM

TAG ID: apaartthree357914 (RM)

Credit: Album / National Gallery of Art, Washington DC/Newscom

Format: 3143 x 4400 JPEG

Photographer: Album / National Gallery of Art, Washington DC

Keywords: , IMPRESION, , PRINT, , FRANCES, , FRENCH, , ETCHING ON JAPANESE PAPER, , ARTES GRAFICAS, , GRAPHIC ART, , GRAPHIC ARTS, , PRINTED GRAPHICS, , SIGLO XIX, , 19TH CENTURY, , FRENCH ART, , GEOGRAFIA, , GEOGRAPHY, , TOPOGRAFIA, , TOPOGRAPHY, , VEDUTA, , VEDUTA, , ALTERACION ESTRUCTURAL, , STRUCTURAL ALTERATION, , CAMPANARIO, , CHURCH TOWER, , BELL TOWER, , BELFRY, , CLOCK TOWER, , BELLTOWER, , TOWER CHURCH, , 2ND MILLENNIUM A. D., , ILUSTRACION, , ILLUSTRATION, , EXPRESION, , EXPRESSION, , CREATIVA, , CREATIVE, , EDAD, , OLD, , 1868, , 1868, , 1821, , 1821, , ELEGANTE, , ELEGANT, , ARTWORK, , CULTURA, , CULTURE, , BELLEZA, , BEAUTY, , ARTISTICO, , ARTISTIC, , 1852, , 1852, , GRABADO, , ETCHING, , CHARLES MERYON, , SIXTH STATE, , LA TOUR DE L'HORLOGE, , TORRE, , TOWER, , TOWERS, , STEEPLE, , GIRA, , TOUR, , TOURNEE, , PARIS, , PARIS, , RELOJ, , CLOCK, , L'HORLOGE, , MERYON, , PAPEL, , PAPER, , PAPER AND PACKAGE PRODUCTS, , VERDE, , GREEN, , CHARLES, , CHARLES, , AGUAFUERTE, , ENGRAVING, , GRABADOS, , ENGRAVED, , ENGRAVING, , ENGRAVINGS, , PRINTS, , PLATO, , PLATE, , TEN, , LAID PAPER, , FIFTH STATE, , 10 1/4 X 7 5/16, , 26.1 18.5 CM, , 1821�1868, , S�BANA, , SHEET, , 17 11/16 X 12 3/16, , 45 31 CM, , STATE FOUR, , ETCHING ON GREEN PAPER, , OUTSIDE, , AL AIRE LIBRE, , OUTDOORS, , OUTSIDE, , OUTDOOR, , D�A, , DAY, , PA�S, , COUNTRY, , BLANCO Y NEGRO, , BLACK AND WHITE, , BLACK & WHITE, , EXTERIOR EDIFICIO, , BUILDING EXTERIOR, , ILE-DE-FRANCE, , ILE-DE-FRANCE, , A�OS VEINTE, , TWENTIES, , SIGLO, , CENTURY, , LOCATION, , TRANSPORTE, , TRANSPORTATION, , NINETEENTH CENTURY, , URBANO, , URBAN, , MONOCROMO, , MONOCHROME, , MONOCHROME, , MONOCHROMATIC, , SEINE, , AGUJA, , SPIRE, , TRANSPORTE ACUATICO, , WATER TRANSPORT, , ARTES, , ARTS, , TRANSPORT, , BOTE (BARCO), , BOAT, , BOTES (BARCOS), , BOATS, , FRANCIA, , FRANCE, , EXTERIOR, , EXTERIOR, , RIVER SEINE, , D�CADA DE 1920, , 1920S, , RIO, , RIVER, , LIBRO, , BOOK, , PORTADA (ARQUITECTURA), , FACADE, , TOUR DE L'HORLOGE, , ARQUITECTURA, , ARCHITECTURE, , FUERA, , SIGLO XX, , 20TH CENTURY, , LITERATURA, , LITERATURE, , GEOGRAPHICAL FEATURE, , MASTERS OF ETCHING, , PAPEL (PRODUCTO DE FIBRA), , PAPER (FIBER PRODUCT), , GRABADOS Y DIBUJOS, , PRINTS AND DRAWINGS, , PRINTS AND DRAWING, , ART, , ART, , LEGEND, , CHICAGO, ART INSTITUTE, , VERDOSO, , GREENISH, , 1821-1868, , 256, , IVORY LAID PAPER, , VERD�TRE, , WARM BLACK, , LAID CHINE TIPPED, , TINTA NEGRA, , BLACK INK, , ETCHING PRINTED, , CHINE COLL�, , 10 3/8, , CLEVELAND MUSEUM OF ART, THE, , CHARLES MERYON (FRENCH, , 1821-1868), , PUENTE, , PONTE, , BRIDGE, , EDIFICIOS, , BUILDINGS, , CADALSO, , SCAFFOLD, , ESTRUCTURA, , STRUCTURE, , SCAFFOLDING, , EDIFICIO, , BUILDING, , ETCHING WITH ENGRAVING ON LAID PAPER, , BARGE, , MUSEO, , MUSEUM, , FIFTH STATE OF TEN, , JAPONES PAPEL, , JAPANESE PAPER, , IMAGEN, , LIBRO VERDE, , GREEN PAPER, , 10 1, , MOUNTED, , INDIA PAPER, , 18211868, , LA TOUR DE L'HOROLOGE, , CLEVELAND, MUSEUM OF ART, , 10 5/16 X 7 5/16, , LE TOUR DE L'HORLAGE, , 26.2 X 18.5 CM, , IMPRESOR, , PRINTER, , IMPRESOR, , BOOK PRINTER, , OBJETO, , UMBRELLA, , OBJECTS, , OBJECT, , CLOCKWORK, , PRIMER PLANO, , FOREGROUND, , CLOSEUP, , CLOSE UP, , RENOVACION, , RENOVATION, , EN CONSTRUCCI�N, , EN OBRAS, , UNDER CONSTRUCTION, , SENA, , MENTIONED, , ATESTADO, , CROWDED, , ESQUINA, , CORNER, , PALAIS DE JUSTICE, , AUGUSTE DEL�TRE, , PRINT MAKER, , INTERMEDIARY DRAUGHTSMAN, , PONT-AU-CHANGE ACROSS, , SMALL FIGURES WALK, , HIGHLY LOADED CARS DRIVE, , PARIS LA TOUR DE L'HORLOGE, , 1852/1858, , RETRATO, , PORTRAIT, , POTRAIT, , PROFESI�N, , PROFESSION, , RECONSTRUCCION, , RECONSTRUCTION, , CONCEPTO, , CONCEPT, , RECONSTRUCTED, , ETCHED, , DEMOLITION, , REALIST, , ART MOVEMENT, , CORRIENTE ARTISTICA, , ARTISTIC MOVEMENT, , COLOR, , COLOUR, , COLOR, , PONT AU CHANGE, , PONT-AU-CHANGE, , ARQUITECTONICO, , ARCHITECTURAL, , EDAD MEDIA, , MIDDLE AGES, , PAISAJE, , PAISAJES, , LANDSCAPE, , LANDSCAPES, , REALISMO, , REALISM, , ILE DE LA CITE, , 1850S, , MEDIEVAL, , MEDIAEVAL, , HAUSSMANN, , WORKMEN, , PONT AU CHANGE, , GEORGES-EUGENE HAUSSMANN, , WORKING MAN, , MEDIEVAL, , BARON HAUSSMANN, , OCUPACION, , OCCUPATION, , TRABAJO, , JOB, , CONSTRUCCION, , CONSTRUCTION, , ETCHING AND ENGRAVING, , WORKMAN, , L'ILE DE LA CITE, , ISLE DE LA CITE, , GEORGES-EUGENE, , WHITE AND BLACK, , MUSEUM OF NEW ZEALAND, , TE PAPA TONGAREWA,

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